poker flat recordings offers up another mouthwatering collaboration in the form of this ep by mennie and julien sandre. mennie hails from italy, and had fast been gaining a serious reputation on the underground, both as a resident at club 999 in his home country and as a talented up and coming producer. teaming up here with the frenchman julien sandre, this is an international project that will hit home with djs and house lovers globally. the night riots ep kicks off with partitions, which sees the boys in sparkling form - twisting and teasing a sick groove out of fairly simple sources.arth j follows a similar path the devil is in the detail, and mennie and sandre get down to some serious beat science, punctuated with some subtle chords and vocal stabs in the process. in a pixel world’ reveals the pair’s love of classic chicago vibes distilled though french touch, bringing in a super funky groove filtered though various effects and processes, and paying homage to the timeless sounds of early daft punk. ‘no more closes out the ep with a yet another weapon - a ray of house sunshine that skips along on a fidgety beat offset by filtered strings and chopped up vocal stabs. its got summer written all over it.

in 2007, renowned french producer julien jabre tracked down the american gospel singer phyliss mckoy joubert on myspace. joubert was already a cult figure for house aficionados thanks to -stand on the word-, a song she wrote and performed with her -celestial choir- in 1982 that became a staple of the club scene in new york. it resurfaced as a mysterious bootleg in 2000. julien, who d fallen in love with the song, was eager to remix and officialy rerelease it. when he finally reached out to phyliss, she explained the multitrack tape had been lost. the only thing to do was rerecording it-along with 10 other tracks. today on french label elias, julien and the joubert singers are releasing -stand on the word- in its original and unique 1982 version (mistakenly named after larry levan) and 3 brand new mixes including a fresh dimitri from paris remix. that s how the good lord works!

the sun sinks, the sea is turning scarlet. on deck stand two, entwined, a final embrace. the plane is ready for its single passenger. heartache ascending into the heavens. -pilotes- is the third release of the 7inch dedicated label no more pop. by an obscure french synth pop band, performance, this double pack brings together both rare and unreleased material from the early 80s. the double 7inch features the original version, a dub version, a remake of the song s

hungarian imprint farbwechsel has built up a varied and interesting discography over its 4 years of existence. this limited edition cassette from bouchons d orelles deviates slightly from the label s normal aesthetic, taking a more industrial/drone route with the original tracks. the remixes are also a fantastic and well thought-out edition to the release, with the s.olbricht remix standing out.

work them records founder spencer parker presents the first in a trilogy of releases as brotherhood. the brotherhood moniker was originally coined as a way of differentiating parker s berghain appearances from his panorama bar appearances, hence why this series under the alias will be concentrated on techno. thudding kicks and eerie atmospherics pave the way in chapter one - a physical techno number that warps and changes throughout its almost 8 minute duration. chapter two then employs a twisted melody that works alongside a remorseless low-end throb until chapter three concludes the package with punchy percussion and echoing effect

strength lies in calmness – and vice versa. marcel fengler returns on imf and offers three new inspirited musical pieces that protrude from the club context just as well as cater for your home stereo, picking up on the diverse musical moods defined by his debut album fokus (ostgut ton, 2013) while concentrating on intertwining sound aesthetics. with “kyu” laid out on the a-side, this new 12- starts off with a delicate yet muscular floor-pleaser – its subtle 4/4 rhythm is counteracted by lush claps on 2/4, but the true finesse comes in form of its varying rhythmic details, crisp hi-hats and underlying, subtle melodies, most notably the twirling organ trills, sustained synth pads and alienated shout outs. “shitau” on b1 picks up on these introverted and adoring musical moods with more organic bell percussion and swelling synth layers adding a more cinematic touch to the complex rhythm patterns—then pausing for a short dreamy break, gaining speed again before culminating in a grand finale. “zen” follows up with intimate string arrangements until fengler varies the tone and tempo with tribalist percussion and a lush kick drum. this ep is an ideal companion, whether you re pruning your bonsai or branching out a club set.

new years deal - 10 years of thema is not a milestone we take lightly, and we have absolutely no intention of slowing down. in fact we will be celebrating with a string of releases commemorating this accomplishment starting with this ep and going through to our 50th release with an all star line up ready for battle. sometimes there is a sound that lifts you so high you can’t possibly come down. its the kind of sound that many strive for, but few can ever reach. uk mainstay aubrey has been hitting this pinnacle for years through his releases on renowned imprints such as metroplex, ostgut ton, and skudge, as well as his very own solid groove records. * the reflection* ep comes as no exception. as only a dj and producer of his stature can do, aubrey goes above and beyond to take the listener through a spectrum of moods that culminate in a rounded and complex experience. from the uplifting, fast paced pads in *peligro 45* to the disorienting rhythmic voodoo of * roger doger* and peak energy drive of * train to the fire* there is a sense of direction and otherworldly ambiance that will take any dance floor to the place it needs to be

berlin duo soukie & windish are releasing their second long-player work ‘loom’ on their home label ‘ursl records’ this coming may. an album for the moment, looming its way through our moves with its dreamy, escapist moods. loom carries accents of dirty micro-pop while managing to be both upbeat and deep simultaneously. it is an album of tension — pushing out through every carefully selected drum and every distant, distorted synth line. it marks the moment when you decide not to go home.

keita sano is part of japans new wave of music producers and hes been on our map since a very long while. with releases on lets play house, mister saturday night, 1080p, lower parts, row, strictly groove recordings, enother blessing, holic trax and spring theory keito hes not only not unknown to us but has shown his eclectic taste and zany approach to music at home and aboard. and his first 4 track ep offering for yours truly does proved that once more so . the okayama resident has been weaving his way through house, techno and electronica releases displaying an affinity to old school processes and vintage gear which you can hear in every bit of his classy unmistakable sound. raw, rugged & slightly alarming but dry and focused to a massive funk attitude, is this the actual big room underground- however, be it the top or water dripping cellar floor this is modern analogue techno at its most stringent and hey theres a full album it coming later this year. all available on full pupps techno not techno-offshoot rett i fletta!

lovers rock recordings celebrates its tenth release with another lush compilation featuring tracks by three core members of the lr family and newcomer gunnar haslam. opener “vacation” by ital sees the label boss crafting a supple dj weapon out of a lysergic sonic ecosystem. the rapidly-maturing dj wey returns to the fold under his dj python alias with “amazonia,” an ambient bomb that allows a deceptively simple hook to lilt across a thumping reggaeton rhythm. gunnar haslam makes his lr debut with “vector no campo,” blending modular acid and perfectly crunched electro drums. finally sleeper cell close out with the shimmering, haunting “v.” the first lr release of 2016, lr no.10 exemplifies the label’s ethos and sound while pointing to the future, with eps by ital & halal, yoshinori hayashi and others slated for later in the year.

the band: a french trio called france, using drums, bass and amplified hurdy-gurdy. they perform only live, in the middle of the audience - turned in to face each other - full on smoke machines and strobes. and they play only one song for the duration of their hour-long set. and its the most transfixing live experience of intense physical and mental focus. the distorted hurdy gurdy plugs frances sound into the countrys history of folk music and popular festivities, of communal trance and immersive pleasure.

ltd summer 2016 deal.. its a really clever go lucky move that the never resting glückskind founders michael klang and jürgen kirsch got samuel knob on board. the valencia-based producer really knows how twist those knobs to come up with the craziest noises. his skills, honed during his residency times at barraca music and narita club, are perfectly put into use with this crafty release that should have people dancing on the roof tops--naked. samuel, a drummer who jumpstarted his musical career at the age of sixteen in a pop-rock band, is exploring the outer realms of percussive beats, incorporated in a tight yet not at all minimal sounding house construct. inspired by his father who is also a drummer and programmer, he does not hesitate to foray into unknown dimensions, making this eleventh glückskind release a very special piece of black gold

for this new release, rue de plaisance opens its doors to a new york city artist we have been following since her debut 3 years ago. she’s developed a very personal, warm and groovy sound on different labels (brouqade, bodyparts) and in her live acts. her recordings have gathered the support of great artists from the scene and it s a real pleasure to welcome oshana.

pure worries from leipzig — three club burners steeped in detroit traditions, distilling the explorations in collective, nervy hypnosis of km live sets. as the music slowly unfurls, there he is at every turn, subtly tweaking its parameters, redistributing its weight, pricking its grooves into a state of utterly infectious perpetual movement. the two visions of chilazon track opposite pathways: the first is twelve minutes of gorgeous, dubwise, aquatic techno, spattered with kicks and razor-sharp hi-hats, and smeared with ghostly echoes, then a terse mesh of broken drums, escalating to a quiet yet feverishly intense peak. lanthanum is calligraphic swordplay, its toms and bass stabs warily circling one another in a graceful steppers’ dance, spaced-out and fathoms-deep

mijo aka la royale, aka one half of moon runner and many more is back! its been a busy couple of years for mijo. countless remixes, productions, tours, multiple releases as well as taking care of his excellent record labels disque discos and electrique music. with simplicity and strength, title track proximo berlín has become one of the head tracks of the new latin american techno sound, one that mijo helped define with his side projects moon runner and la royale. próximo berlin has a very impressive remix from rex the dog, who delivered a stunning, seven minute long, techno rollercoaster. 110%. b-sides cheaptron and circulate are also some of our favorite mijo tracks ever. the simplicity and magnetism of those rhythms shake bodies insistently

the newly minted kepler sound imprint inaugurates its first 12inch with four tracks arranged over the past year in a dimly lit apartment, positioned somewhere in eastern europe. ks001 lends itself to intergalactic exploration, with each helping forged through their proportionate machine-love. from the aside backing petrol, to the thrust of 106b, this record forties raw, 4/4 tracks for the planetary motion and beyond. 1st record from the alter ego of california-born producer urulu (voyage, lets play house) vinyl only release....

most excellent unlimited is back with a homage to the primal roots of the dance floor, the disco break. this six-track, 12-inch ep gathers secret weapons from a diverse group of master re-editors who ve each provided their take on the venerable dj tool in the form of loops and grooves that will be welcome additions to the palettes of creative disc jocks everywhere. ranging from the minimal drum machine beats of daniel wang and alex from tokyo to the dramatic orchestration of tom noble s -samuel- and the whistle-laced afro disco of jacques renault (and a battle-ready acapella loop from danny krivit), most excellent breaks, beats & loops lives up to its name with a collection that pays respect to the lineage of the classic new york city edited break compilation.

blow out - summer 2016 nice price action ...back after a two year hiatus following their top 10 hit with >the creeps<, freaks launch their next episode with >umakenosense<, a mind-bending electronic monster package complete with bad ass radio slave remix.
>umakenosense< is a distorted trip into psychedelic territory through a minefield of cosmic energy. this is music that appeals to the mainstream and the dark underground, a formula that freaks have achieved time and time again.
radio slave has become renowned for his epic reworks, producing some of the best-loved remixes of the past few years. he doesnt disappoint with an expedition through low-end and high-octane stratospheres shaking out thegroovy beast and creating a sonic soundsystem mash up of a remix ... rewind!
freaks was originally the brain child of bournemouths justin harris and london-based luke solomon, but has mutated through its live format into a 6 piece outfit incorporating the infamous jonny rock on guitar, sascha darroch davies on drums, vocalist stella attar and rub on bass. with three albums behind them, a seminal label we know and love as music for freaks and a top 10 hit with >the creeps<, freaks have journeyed through filter disco, quirky mid tempo house and minimal techno to cement their own revolutionary style.
luke, justin and stella are now writing new material for their 4th studio album and a best of compilation (out end 2009). from early demo listening, it looks as if it will be a mesh of all their electronic, disco and leftfield pop influences and will undoubtedly re-introduce their fans to a whole new level of freakish behaviour.

nice price , summer 2016 super sale....
after a 10 year absence, portugals question of time records returns in 2012 with brand new vinyl and digital releases. the label was a hugely influential house and techno imprint in the mid 1990s, with everyone from sven väth to carl cox, laurent garnier, mr. c, tony humphries, and dj pippi having supported its groundbreaking releases in the early days. the labels first release of 2012 comes from qot label boss and long-serving portuguese dj hero j. daniel. the >change it< ep features four wildly different mixes of daniels new single. one of the mixes comes from the co-founder of the new qot - ambient house techno experimentalist aqob. overall the package is an entirely absorbing, intelligent and unique club ep that is impossible to categorise. it firmly sits outside the realms of todays club trends.

chilean born and berlin based dinky has forged a solid and illustrious career over the past decade. ‘casa’ announces her new album set for release on damian lazarus’s crosstown rebels this autumn, with remixes from axel boman and satori. a trained classical guitarist, singer and keyboard player that has held a dj residency at berlin’s infamous panorama bar since 2004, dinky’s sixth album, also titled ‘casa’ will be the first since the birth of her two children.’ dinky’s delicate vocal on ‘casa’ is both up-tempo and spacious, with infusions of acid, leftfield and electronica in its veins. axel boman delivers a stunning, emotive and epic nine and a half minute dub version, overlaid with spoken word samples referring to lost experiences. the swedish born producer is much-lauded for his releases on dj koze’s pampa, permanent vacation and his own imprint, studio barnhus, formed with kornel kovacs and petter of border community. while the hedonistic take from satori takes ‘casa’ up beyond the horizon. a future crosstown rebels artist, satori has released on 8bit, under your skin and bla bla records. ‘casa’ sees a return to form for dinky and a welcome return to the crosstown imprint, after previously releasing a single and a mix album for the pioneering label.

first second label is proud to present its second and forthcoming 12” from canadian duo minimal violence. four rowdy house and techno excursions that move from rolling synth melancholia to full blown, tape saturated work outs. rough around the edges and ready to tear holes in anything that crosses it’s path.

crosses genre to find its own space, & soundscapes, downtempo, ambient, & house music all find a place. the record flows like a vague narrative, a non-specific sort-of passage, a meditative jazz-house trip.

with the new sublabel ourselves established under the roof of the well-known o*rs crew from leipzig, a new label has been launched which can without a doubt be called a matter of the heart. production, graphic design, promotional shipping, in leipzig truly every single step remains within the family. with the now appearing compilation imagination the newly born baby ourselves directly presents itself in the best possible light. kicking off the sampler is düsseldorf-based artist sello. the house track characterized by its analog drums, deep chords and snotty bassline completely places his bet on deepness. in his very own catchy way, it sure is the perfect entrance into the musical debut. the second track of the release, a collaboration of jan ketel and his partner in crime siggatunez, shines through its very dynamic and driving buildup. the title being a graceful tribute, it carries the name of the eponymous berlin club farbfernseher. nevertheless, such a warm and dreamy house track might as well serve as the perfect commendation for the first open airs of spring. the flipside impresses with a ruff and dirty club track by berlin-based producer braunbeck, which self-ironically manifests itself particularly through the self-recorded vocals. as a true humorous banger, the track adds even more musical depth to the already outstanding release. the completion of the compilation and therefor also the most technoid track of the release is contributed by perel. a tool-like classic, standing out through its massive kick and hi-hat called felene hischer. nasty, groovy and timeless, just how we like it!

press release: 124recordings are back with release number eleven the twin suns ep,representing the new generation of producers.first up is an exciting collaboration between pascal viscardi and hugo lx.both names are well known and respected individually from releases on courtesy of balance,mliu,frole and traxx underground,and this is the first time they have released a track together.twin suns is a homage to when house tracks were made straight to tape,with a killer juno bassline and raw beats.next are two young producers from germany.das carmas vitual reality doesnt hold back with a thunderous kick,rumbling bass and gritty stab.philladelphia s matpat closes the first side with work dis.with its clever use of a dj deeon sample,its a raw stripped down 808 groove.the second side opens with parisian duo dub striker,which glides along with warm embracing chords,soft pads underpinned by a bumping bassline,before fonso closes the release with the hypnotic 28 days

transatlantyk return with a double header informed by the dark continent label regular universo (architect of their best ep no less) cooks up a splendid slice of culturally appropriated, campfire heat. its graceland era paul simon fed through some expertly assembled 21st century software. on the flip ryan r (reynolds maybe?) offers up umqondo. as western polands answer to awesome tapes from africa, we d say he knows from whence he takes. its a groove so thick even dr livingstone would have trouble hacking through it, an immersive ride though to be sure, and one which will make infinitely more sense at 4am sunday morning than it does at midday on a tuesday.

our 003 has arrived, a trio of tracks from the vast archives of salford s own sonic insomniac, mr d.ball. although previously unheard, these tracks evoke instant feelings of nostalgia and reminiscence.as always dave exhibits his effortless knack for combining emotive melodies with liquid basslines and refined percussive rhythms.from the majestic electric piano and live strings of title track elements,to the graceful, wandering synth lead and growling bass of doreen through to the epic 13 minute b-side healer with its subtle chord progressions and sumptuous live bass crescendo.timeless,sentimental music that will appeal as much to lovers of classic techno such as underground resistance or mayday as much as it will to fans of ash ra tempel or jean luc ponty.all tracks recorded in salford between 2002-2006, extracted from minidisc 2015.

the time has come for scar to broaden its horizons. as a production duo survival & script initially made a name for themselves by supplying rugged dancefloor workouts but there is a much larger story to tell here and with the orkyd project album this story will be told

* the time has come for scar to broaden its horizons. as a production duo survival & script initially made a name for themselves by supplying rugged dancefloor workouts but there is a much larger story to tell here and with the orkyd project album this story will be told. * production collaborations have been kept to an absolute minimum aside from vocal features, naomi pryor is the ever present voice of the album with further contributions from eleanor higgins and ray uptown. * the influences for the orkyd project shine a further light on the story, from bill withers to massive attack via eric b and rakim. * when initial conversations took place between goldie and scar regarding the album goldie gave the guys full license to create whatever they wanted and what we have been given is a melting pot of 2016 london music. soul exists beside screw face. * it s important to note that drum n bass hasn t been abandoned by any means, the hall marks of scar are ever present and correct- the blue print has just been expanded upon

we are stoked to have this quality producer and vital part of frankfurts underground on nick curly & gorges 8bit imprint for the first time - welcome sascha dive! after more than a decade of playing and producing in one of technos most influential cities, dive premieres on catalogue nr.108 with funky rhythm seduction ep & its just the quality sound you d expect! lab #2 & planet e strive from subby rooted techno, filling the floor with dark energy and a little old school vibe. funky rhythm seduction completes the package as a timeless deep groover that hits with tribal elements and rollin drums, perfect for most peak time situations and upcoming summer parties

birdsmakingmachine are back on track and continuing their series in style with bmm 007. kicking off things on a1, at 124 bpm, “the draft” is a joyful number that bursts with relentless energy while managing to fuse sharp metallic drum patterns with juggling ambient hooks. the more dancefloor-oriented track is nevertheless found on a2. as the title suggests, “area 52” is quite literally a journey through the unknown and mysterious, a metaphor for the deep minimal house amazon, a track that stands out with an extra subby bassline, swinging hihats and those ever-so-warm sequenced analog pads in the background. flip the record over and you find yourself with two slightly more industrial affairs, “the voice of kudha” on b1 offering a breakier alternative than it’s predecessors and “zagonity”, on b2, galloping its way to close off the record with shuffling vocal hits and an amalgamation of bouncing hats and snares.

electronic music has always had a special affiliation with space, and the sounds of the cosmos. an inherent love of all things sci-fi, galactic and otherworldy has always been a common thread, especially with techno producers, and so its always a pleasure to come into greater contact with the science of these sounds when creating new music. project alma is a new collaboration between lucianos cadenza records label and the alma sounds initiative that bridges two sets of individual passions, that of lucianos love for music, and alma astronomer antonio hales love of the universe.

dj teech and taurus impex limited are the pseudonyms chosen by marieu and lucretio for their unconventional output, and already signed by berceuse heroique and knick knacks yoda. -coup d etat- is a collection of 4 cutting edge tracks at the boundaries of techno and house music. -digital bacteria- and -cgl- are two dancefloor minimalistic busters with a quick pace, with shuffled percussion and heavy digital sub basses coded over a steel cyberpunk texture. -pitchblacky- and -the perennial- have a very slow tempo but are injected of stinging hi tech funk enclosing a jacky essence that pour out from its experimental superstructure.

when it arrived on the progressive house scene in 2000, it quickly made the rounds as a tune to be reckoned with. played by nearly everyone in the industry, its haunting vocals and psychedelic synths captured the minds and hearts of ravers worldwide.

this is now ! birth of the ark label, 2016. featuring friends : ark, pit spector, metaboman, losoul, the mole its a 2 x 12 inch dedicated to love supreme track from john.

mirqlass at its best!

as matthias tanzmann s label enjoys its 16th year with more trendsetting eps and much talked about events round the world, the boss steps out with a new ep in collaboration with long time label stalwart sven tasnadi.

earlier this year, dekmantel announced the signing of robert hood for a new project titled paradygm shift. over the course of three different eps, which will eventually evolve into an album, the detroit but now alabama based legend presents paradygm shift. hood: -the idea behind paradygm shift is similar to a shift in our focus. we can become so complacent, we are so comfortable with our surroundings, i think this is the time for electronic music to find a new mindset volume ii serves up two more killer techno floor bombs by the never disappointing originator. master jack is a classy and deadly effective cut that gets its strength from a simple, yet biting stack of funky chords, while pulsating bass lines and rattling hats are holding it together. more fast-paced action can be found on magnet,a no-nonsense, minimalist stomper you can store in your peak-time section. refined techno action times two, but what did you expect?

the fallen angel. the rebellious soul expelled from the pearly gates and forced to live in hell among mere mortals for eternity. here they endeavour to condition and corrupt everything around them, a bold middle finger aimed in the direction of its former home in the promised land. now imagine a soundtrack to this tragic tale. funkineven—also known as steven julien— has made just that with his debut album fallen.

u has always displayed an unironic conformity to his own absolutely genuine/occasionally challenging ideal as to what a release should entail. after a series of predominantly, and (in the most loving sense) maybe begrudgingly, dance floor oriented eps, vienna orchestra is a long overdue insight into his core fascination as a musician, making complex and intriguing experimental pieces that belie the humble mode of their creation, recording from vinyl records and manipulating the audio on old school samplers. this lp is an insight into scores of hours of twiddling with loops and sequences to create music far removed from its source material (dusty classical records acquired on a trip to vienna). this is a dense, blunted world, which holds the sound of a musician indulging their own ear’s obsessions and insatiable curiosity.

sound and rhythm are effective means of individuals self-defence in face of chaotic steamroller of everyday life. hiding in a familiar yet simultaneously hardly recognisable parallel space does not have to result from the need of escaping the world or nurturing one’s ego. too many times to mention, music appearing under recognition imprint served as a peculiar type of a vehicle of survival and a tool for internal transformation. hideland, new record by polish electronic music producer jacek sienkiewicz is released precisely year after drifting, which largely explored tropes of classical club techno sound. eight (nine in extended cd version) tracks comprising this album go beyond easy-to-pigeonhole genres, creating a microcosm of utopian sound constructs. surprisingly unobvious and precisely composed release could be fascinating both for loyal fans and for new listeners looking for threads of experimentalism. its another intriguing proposal in jacek sienkiewiczs growing discography, but above all - a laboratory where dreams and artistic visions metamorphose into concrete reality.

religio thunders its fourth release by four of best artists in the minimal and deep tech panorama. four club tunes for smashing walls like totti s penalty kick! absolutely on vinyl only

greg beato is back on l.i.e.s. and back in top form with this massive 5 tracker. beato demonstrates his versatility as a producer throughout as we seem him move from melodic house, to electro, to tweaker dj rush style psycho beat tracks on this ep. every song here has its own unique flavor with beato s trademark style undeniably present. needless to say this ranks up there with some of his best work to date and is sure to make a lasting impression on all listeners.

time has come: asymptote duo, owner of the label, makes its debut with its first ever release. sav004, behind the scene ep, is the result of a driving combination between old and new school elements, aimed at the big floor. a side, is darker and deeper, made by two acid and atmospheric techno cuts: behind the scene and chain reaction . on the b side, the traveller is a minimalistic techno trip, with millsian reminiscences. plastic city instead, with its essential sonorities, draws inspiration by the old detroit school, trying to evolve it and go well beyond. past and future create the present

the folk group represents a peculiar work within piero umilianis seemingly endless career. recorded for the background music series, it uncovers the maestros passion for folk and 60s/70s music. its especially characterized by the bizarre guitar improvisation and the incredible and funky underworld, a gem that we recommend to any hip-hop producer!

berlins new born label debuts with its limited 12inch vinyl series. mechanical grooves, shuffled rhythms and jazzy moods combine with gummy basslines bubbling underneath and illusive wondrous harmonies to shape this unconventional minimal techno. roots remain unseen underground in the same way that our consistence remain hidden to the common eye. cover artwork: oil on paper by nicolò canova

fresh blood on robsoul and more sunshine fueled house for the summer floors from rising stars iban montoro and jazzman wax. its been a busy year for the duo, who have not only launched their own moodyhouse recordings label, but also completed and signed their debut album to mark farina’s great lakes audio imprint. an ep for kerri chandler’s madhouse records and projects in the works with barbara tucker and joi cardwell are all setting 2016 up to be a busy and bumper year for the boys from barcelona. their rock skate ep for robsoul is a perfect snapshot of the sample-heavy feel good-vibe vibe that the boys present in their own performances. four block rocking cuts that will have us grooving, grinding and rolling. so lace up and get dancing.

the story begins at the heideglühen club in berlin where the true romance crew saw ojpb play. in the midst of his set he dropped a mysterious track that completely lit the crowd up, it was e-lane 2 troy. in this offering, true romance introduces montreal based ojpb (also known as bowly, dÐd, mtsp). through this alias, french-born olivier borzeix delivers raw and adventurous rhythms sourcing his inspirations in rare funk disco nuggets and the golden age of house music, blending it into what he likes to call : hypnotic soul. e-lane 2 troy is an uplifting cosmic mind bender. with its brilliant disco loops and infectious trance inducing melody, this is one that will fill and fire up dancefloors all over.

fun records third reference is bound to fly well over the rushes of those trying to find the sounds that should stay fresh until the seasons end. and beyond. barems new ep emerges from a kompass aiming to its perfect and dainty studio timeless beats and to christian burkhardts bombshell, the first remix hosted by fun since its launch in august 2015. the argentinian artist has pushed his studios equipment to reach and outline the sound hues that define his labels personality joining the vibes of its two first releases. the first reference was produced by the two founders: barem and alexis cabrera. alexis cabrera produced the second release and now, as a way of giving this first years cercle a complete sense, barem launches this unique third ep

lengthy and weighty hunch music remixes by mick wills and dj fett burger! comes with special relief printed sleeve. after hunees celebrated debut album hunch music, its time for these two remixes here. dj fett burger inserts -crossroads- into boss brian s computer and takes it to an extraordinary new level, mick wills transforms -hiding the moon-into a throbbing and grinding floor cracker. big tip!